September 4, 2012
The Characters in Your Book

Freud thought every role in a dream was played by the dreamer, and in a way, that’s the way my books are. The emotions the characters feel are mine since I can only write what I feel, and their personal problems are ones I’ve grappled with.

In the writing, though, the characters become more than I ever was as they develop in response to the needs of the story. Kate from A Spark of Heavenly Fire is the most like me, maybe because she was the first character I created.

Here are some other authors’ responses to the question about much of themselves are hidden in their characters. The comments are taken from interviews posted at Pat Bertram Introduces …

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From an interview with A. F. Stewart, Author of Once Upon a Dark and Eerie

I really hope there is very little of me in my characters since many of them tend to be immoral, vicious, bloodthirsty killers, or unwise enough to get themselves into situations where they are maimed or killed. Well, maybe they share my odd sense of humour.

From an interview with Debra Purdy Kong, Author of “The Opposite of Dark”

When I first began writing about Casey several years ago, I think we had more in common than we do now. Like Casey, I wasn’t interested in marriage, I was studying criminology, and my parents were divorced. However, I’ve grown older while Casey’s stayed young so our interests and concerns are quite different. She’s still building her career and attending school, and looking for love. I’ve been there, done that, so I look at her from a different perspective and see almost nothing of myself in her now.

From an interview with Bonnie Toews, Author of “The Consummate Traitor”

There are elements of myself in both heroines, but yet they are stronger than I think I could ever be. The journalist, Lee, lives with my recurring nightmare and my affinity with the Holocaust. I have often said, “I am a Gentile with a Jewish soul.” The pianist, Grace, reflects my more naive, pollyanna side. And yet, the one time I headed into the Rwandan conflict that proved the UN’s promise of “never again” would the world tolerate another genocide to be an outright lie, I went with complete faith, like Grace, that I was protected from harm.

From an interview with J J Dare, Author of False Positive and False World

The aggressive part of my passive/aggressive personality is turned loose in the books. I can let myself go through my characters; I can destroy without regret, lie with a straight face and a cold heart, and generally, get away with murder.

From an interview with Dellani Oakes, Author of Lone Wolf

Matilda is a lot like me in some respects. Her fierce devotion and the way she takes up for those she loves is totally me. Oddly enough, some of the aspects of Wil’s personality come from me as well. Mostly, he and Marc mirror aspects of my husband’s personality.

So, how much of yourself is hidden in the characters in your book?

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(If you’d like me to interview you, please check out my author questionnaire and follow the instruction.)

September 4, 2012
Who Invented Dust?

I just stopped briefly from working on my latest novel’s manuscript for a comfort break, a cigarette and something to drink while I wait for my grocery delivery. While I was waiting I became aware of the inordinate amount of dust on the floor around my chair, illuminated by the rays of the morning sun.

We all live with dust. It’s inescapable. What purpose does it actually serve? Millions across the world wage war against it on a daily basis. Why? The minute your back is turned there it is once again!

I surrendered to the ever present dust invasion decades ago, deciding that fighting it was a futile occupation and a monumental waste of my time. Instead I simply resorted to putting up with it as an inevitable consequence of daily living, looking upon it as a constant companion.

I’m darned sure dust was actually invented by the manufacturers of vacuum cleaners and the countless household cleaning products, merely to foist their wares upon the unsuspecting, brainwashed and gullible.

Unlike the countless millions of house-proud individuals out there, I no longer carry on the endless fight against dust. Instead I have called a truce with dust, choosing to coexist alongside it. Dust isn’t so bad. At least it doesn’t interfere with my daily life too much. Granted when it combines with fluff and hair into furry balls, usually under an item of furniture, I do pick it up and put it in the bin. I’ve got far more important things to occupy my time than to endlessly fight on the front lines of the war against dust.

Am I house proud – don’t be stupid. To me a house is nothing more than a box in which you live, protected from the elements and from unwanted undesirables like travelling salesmen, those collecting for various charities, god botherers and potential candidates for your next town council election, or even worse, that of your next government!

I am about to make all house proud individuals very angry with me, but I don’t care. If I’m brutally honest I prefer to see dust on every surface. To me it proves that this house is lived in by a human being (me) who doesn’t give a damn about mindless social expectations. I’m sorry if this offends you, but my home is not a sterile pristine space to show off to the neighbours while having morning or afternoon tea together – not that I do, you understand. As far as I know, no one actually lives in a show-home. They are only to be found at open days on new housing developments. This dusty house is where I live for goodness sake – get over it!

I can just hear all the tut-tutting going on as you read this folks. Well tough, I don’t care!

Neither does the dust I might add.

September 4, 2012
Interview: Miriam Pia

Michelle Devon has graciously invited me to be interviewed as an author. She has asked me to introduce myself:
My name is Miriam Pia. That is normally how I am known.

I am one of the Americans. I come from “the sexual revolution generation” or something like that – essentially the America with liberated women and everyone having sexual freedom. I grew up a Unitarian Universalist, which I have also practiced for a good 10 years as a weekly church going style UU.

I have mostly lived in the USA but also lived in England for five years and currently reside in Germany. I love my country but like to be a broad minded, worldly American rather than a narrowed down, close-minded American. My family background is a mixture of upper poor and lower middle class. Poverty gets tiresome after a while and some of the pathways out of poverty are not worth the spiritual cost they charge to get you there. I have been formally educated to MA level but was held back to the Postgraduate Diploma level in order to stay with “the men” in Modern European Philosophy. That tells you more than enough…except maybe brunette, 7 or 8 on looks where 10 is best.

It’s rare today to find an author who does nothing but write for a living. Do you have a ‘real’ job, and if so, what is it?

Miriam Pia: I did try to. I went to both university and graduate school to make sure I could have a real job. Then I ended up backed into a corner because I let a husband support me as I took my writing to the next level so that when he abandoned me 2 or 3 years later I didn’t have a real job to fall back on but only the writing. That was my late 30s if anyone is wondering, and after I had the baby.

What are some other jobs you’ve had in your life? I have managed to teach one class in philosophy once – as that was one of my planned ‘real jobs’ it’s a bit weird that I’ve done so little of it. That was at a university; I was an adjunct faculty member. I have worked also in offices as a clerk, been a trainee asst. manager at news agent/miscellaneous item shops, accumulated 6 years experience as an administrative clerk/low level secretary, and have been a gardner, a nanny and a camp counselor and kitchen staff. I even tried witnessing but I’m not that great of a dancer so it didn’t go very well. I had planned to work in a science laboratory or for a zoo or in forestry or for the USGS as a geologist, or as a university teacher of philosophy as a day job but was shunted to writer.

What compelled you to write your first story or book?

Miriam Pia:  I was actually a little kid and it was second nature.

Have you always wanted to be a writer?

Miriam Pia:  No. The joke about “the Gemini moon” is “What don’t you want to be when you grow up?” I think sometimes writing stories is a constructive way of burning off all the wild ideas and possibilities of what if I did this? What if I did that? What if I was different from how I am? What if I was able to be everyone and to do everything in the world – wouldn’t that be cool? OK, maybe that’s too much to take on.

What compels you to be a writer?

Miriam Pia:  It started out as a cheap form of therapy – Dear Diary, and as a cheap way of developing a skill, since I read so much: which is also cheap fun, it made sense.

I am talkative and have a powerful imagination: writing fiction simply harnesses this natural energy.

Tell us a little bit about your writing. Do you have any published books? What are their titles?

Miriam Pia:  Uh…is there anything called ‘semi published’ in this business?
People can get: An Adventure in Indianapolis. Its out on the Kindle right now, and by 2013 it should be out as an honest to God ‘traditional book’ thanks to Alethia Publishing.

This is a great urban crime fighting story written for a general adult audience. I also do a little juvenile writing, that’s what I mean t differentiate from. There are 4 main characters, not just one. They are: a Father, a lawyer, a fighter and a burglar. They serve the fictional Mayor of the real city of Indianapolis to fiction fight a fictional case of a real crime problem that Indianapolis has. So, its ‘true to life’ but not true in many ways.

I like to call it “a law enforcement fantasy story” because it is about how 4 people work for the City to solve a crime in a case where the villains are real “weasels” and have taken cover under the very law which is supposed to be able to catch them and hold them accountable for their crimes. Naturally, as citizens we fantasize about people like that getting caught, and I imagine the cops fantasize about it even more. In this story, the bad guys actually get it, but how?”

There are also some books that I helped with. I am not the author but I did work on them. They are:
Be Diversity Competent! By Jermaine Davis
The Complete Guide to Investing in Mutual Funds by Alan Northcott
Think and Grow Rich – Family Style put out by Angel Publishing
The Expatriot Guide to Moving to the USA by Expatriot Focus 2005 edition

There are some dating guides through Closeout Explosion which may exist, but I’m not really sure.

I don’t even know now whether or not I will ever re-write and get published my first novel, which I really liked and was very proud of the 2nd draft of.

Have you ever won any writing awards? If so, what?

Miriam Pia:  I have received an Honorable Mention from Iliad Press Summer Art Awards for a short story in 2003, and 2 Editor’s Choice Awards from the International Society of Poetry – in 2003 and again in 2008 or 2010 [embarrassing but I’m not even sure. I had the award up on my kitchen cupboard in Indianapolis but then I moved to Germany and don’t have it any more.]

Do you belong to any writing forums or organizations that have helped spur your career as a writer? If so, tell us about them and how they’ve helped you.

Miriam Pia:  Online, yes. At LinkedIn I belong to something like 5 writer’s groups. I also joined CrimeSpace. I also use Twitter and Face book a lot and have approximately 30 – 40 professional writers as Facebook Friends so I see them on most days. I have landed the most contracts through Guru.com and have used places like Elance and Freelance Success and many other online freelancing places all in an effort to find contracts. I also submit to traditional publishers. Sometimes I only submit to ones who can take electronic submissions because I am broke or out of printer ink or horribly impatient in certain “left handed” ways.

What type of music, if any, do you listen to while you write?

Miriam Pia:  It’s not always the same. I love classical music and Enya. I’m a giant Rush and U2 fan, but I’ve heard a lot of other bands ranging from Beatles to Ozzy and Disturbed but also Oasis and now and then one of these quiet classical musicians…violinists and pianists mainly.

What inspires you and motivates you to write the very most?

Miriam Pia:  Sometimes a great idea or contract. Other times its just that I’m bored and lonely and still feel verbal and if I write a story while I’m daydreaming I feel like I’m harnessing this natural energy.

What about your family?

Miriam Pia:  I have one child whom I adore. He is now a 15 year old dual citizen of the USA & Germany: he comes from foreign graduate students in London in their 20s. I have some living ex-husbands who are presently married to other women. The one who didn’t want any children has no children and the others have had at least one daughter by another woman. Obviously there is ‘some issue’. The good news is that ‘I love a lot’ the bad news is that some guy isn’t even with me any more….unless that’s not bad news. Not sure. To be very truthful: one day a year or two after my most recent divorce I was in a therapist’s office answering a 600 question questionnaire. I did not answer the 100 questions about family. When it had been 4 years since the most recent divorce I was able to say “I have a family of 2” without bursting into tears. “It’s me and my son.”

When growing up, did you have a favorite author, book series, or book?

Miriam Pia:  Most of my childhood there was no man living in my home and my mother was not remarried. During that decade and a half I read avidly. I loved massive amounts of SF and fantasy, much of which blurred together in my mind. Ones that stand out: Tolkein, that lady who wrote the Pern books where the dragons have to burn the thread before it kills everyone, The Sword of Shannara and other related stories, CJ Cherryh, Isaac Asimov, CS Lewis – the Chronicles of Narnia, Nancy Drew & the Hardy Boys, my older sister told me about Dune but I never read it. I watched the movie with a lover who’s name I won’t disclose in 2009 or 2010 a few years after the most recent divorce, Robert Heinlein, Harlan Ellison, Anne McAffrey – Wind in the Door and others, Alice in Wonderland and …Through the Looking Glass, anyone my older brother said was good after he was finished with it and handed it off to me. After all, I’d already shared our mother’s womb and had worn his old pajamas; I might as well also read the same book…most of the time if he liked it or my sister liked it so did I.

Hey, let’s get morbid. When they write your obituary, what do you hope they will say?

Miriam Pia:  She loved well / was much loved.

Bring us into your home and set the scene for us when you are writing. What does it look like?

Miriam Pia:  It’s boring to watch.

What about movies?

Miriam Pia:  In truth, SF and Fantasy blockbusters. Usually, when everyone else – or millions of other people like it; actually so do I.

Is there any one particular book that when you read it, you thought to yourself, “Man, I wish I’d written that one!”?

Miriam Pia: No, I’m the one who always wants me to be me. “I hope I do something that great, but it will have to be something I can do as myself or else it would be meaningless.”

Many authors have said that naming their characters is a difficult process, almost like choosing a name for their own child. How did you select the names of some of your lead characters in your book/s?

Miriam Pia: Talitha in An Adventure in Indianapolis is named after a handicapped teen I took care of – or tried to, for a few months in Indianapolis in 2000. It was hard; she’s very difficult but in truth I did actually like her but I almost never express it to her that I haven’t forgotten her and still care. So I named a character after her in the novel. She doesn’t even know about it.

Is there any lesson or moral you hope your story might reveal to those who read it?

Miriam Pia: Read it and find out.

Do you have any book signings, tours or special events planned to promote your book that readers might be interested in attending?

Miriam Pia: I hope to but right how I have to really watch the pizza that’s in the oven. I already ruined one because I was answering these questions.

If so, when and where?

Does being a published author feel differently than you had imagined?

Miriam Pia: I don’t know…ask me again when there’s a hard cover. So far it is anti-climactic. Like how I have never had a bridal gown or honeymoon even though I got married.

Now, use this space to tell us more about who you. Anything you want your readers to know. Include information on where to find your books, any blogs you may have, or how a reader can learn more about you and writing.

http://www.uranianfiction.webs.com/

Visit Miriam Pia on Amazon.com.

September 4, 2012
Reflections on Suspense

A writer of suspense and thrills looks to the gotcha…

Being asked to write about the method I use in writing my suspense thrillers, such as the novel “C Street”, left me reflecting. How do I do it? I realize that I first create most of my plot in my head, roll it around until it my brain says, “yes!” Then the work begins. I choose to begin writing before I outline. During the writing process, I find that ideas for the later parts of the story become my outline, and are pasted below the part of the text on which I’m working.

I offer several tips. Characters must be realistic, but that realism is taken to the edge of the envelope. I introduce them for the reader to love or hate immediately and then intensify and add reasons throughout the story that may change the reader’s mind or reinforce their original opinions. I stay away from the “do’s and don’ts lists” which are many and vary from different sources…for fear I would produce nothing but 1000 page of mediocre repetition. I ask the more important question, is this story told in a way the reader can enjoy with ease every page?  

Research – I said research. Let me repeat it one more time, research. The line between fact and fiction is a thing as thin as the line between genius and insanity.  The events that trigger a story and that occur within it must be well researched, as must the locales in which the story develops.  It is for the reader to decide for themselves what has basis in fact and what is purely fictional. This is probably the most fun for the writer – prompting readers to question whether an event happened, if it could happen, or if it is happening now.

I first want the reader to know of the possible dangers to the characters and the emotions controlling them. I then develop the plot so that the reader can speculate about if and how each character will cope with and survive those dangers and emotions. Throughout the story, I want the reader to go places with the characters, to feel their deepest emotions and their passions. I also choose to ask the reader to reflect on the world we live in and the possibilities for good, evil, and the gray areas between the two that fill our world. I believe the writer must strike a balance between love and hate, between good and evil, and between sex and violence in crafting a story.

Writing is like playing chess, thinking five moves ahead. Just when the reader thinks they know what is about to happen, something much deeper really is going on. For me, it often plays like a movie in my head, and I am typing to keep up with my thoughts. I also like to finish a book with an unexpected twist, yet one that has always been developing through the plot line. The reader should never expect it, but instead say, “They got me!” when it happens.  

In my fiction books, I want my words to reflect personality traits existing in everyone, even the parts of us we are unwilling to acknowledge. There are those characteristics in us all, whether or not we can say of a character, “that is me,” or “I want it to be me. I believe all writers carry their own history into fiction work, no matter how small or large.

C Street began as a book that had to be written, the reality of how the men (and women) of our government have unlimited control of our country, of how they enjoy every moment and every dollar they receive, and of the possibilities (or perhaps the realities) of their abuse of that power and control. The sequel to “C Street” is now in progress. It will tell from a different point of view of the roads of gold built by the powerful of this world. Of course, the love of two unforgettable characters Jacqueline and Solomon will be the weave to the tapestry.   

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C Street: Amazon - B&N

September 2, 2012
Excerpt (3): Psychology of Love, Marriage & Sex

Bertrand Russel says, “To fear love is to fear life, and those who fear life already are three parts dead.” I’m not sure I agree. Sometimes fear leads us in many unknown ways.

I will admit a time in my life when I feared loving again. But, it was during that time that I learned to love myself. I’ve been married three times so I do believe in marriage. I was married twice to the same man and with two kids in common, our love affair lives on. Both of us wanted to change for our kids and our love; but neither of us did. Love is a double edged sword that can cause elation and/or sadness. Unfortunately for some of us, fear often dictates how much love, happiness, and success we think we are or are not worthy of.

Most of us are consumed with how to find love and where to look for it? Some of who have been hurt by love must learn how to go on living without it which is hard to do. Those who have experienced heartbreak like me have become masters at inventing excuses to justify their inabilities to sustain love. It is my opinion, even when we’re coiffed, perfumed and eager for love, we must be deserving of it before it can blossom. Love is one of those intangibles we cannot touch yet it touches us in so many ways. I firmly believe each lover leaves a piece of his soul with us and we leave a piece of our soul with them.

If you’re lucky enough to experience a connection with a genuine soul mate you laugh at the same things. You set aflame every cell in your body when your bodies touch. Your relationship is not just about sex. You are two souls whose minds, conscious and subconscious fit effortlessly. I remember my own experience with a soul mate back in my late thirties. I still believe he would be with me today had he not been with her first. He was always ready to take me in his arms when we were together. He was a happy man, settled comfortably in an affluent suburb. He had no children. He must have carried 100 pictures of her in his wallet. We, on the other hand, were careful not to take pictures. I still carry his picture in my mind’s eye, looking for him in every stranger that passes me by. We started out as friends only. We really dug each other’s sense of humor. He got laid off from his job and didn’t want to tell his wife. So, instead of working he spent his days with me. I worked nights so, again, we fit each other’s circumstances easily. We became addicted to one another. It is true with our steady diet of sex we both lost a lot of weight and looked great. We had a lot of energy. I wrote the following poem years later with him still in my mind.

Money, Grammar & Endless Love
My brain is working overtime, thinking about money, grammar and endless love, what shoes I should wear, how to eat and how much not, I don’t know what I’ll do, if my Yorkies won’t stop barking soon, I drag my tired body, from place to place, dreaming about justice and injustice, and gorging myself on winged poems, and it seems like I never have enough money to go around, and then words worry me, too, like would, could, shall, or should, and why not do?

Even though my pen may have a moral plan, it cannot out-argue my past, because just this morning, I was dreaming of budding twigs in my graying hair and dancing with an endless love, I was thinking how his eyes flashed with fire when he looked at me and how his always smiling lips tasted of chocolate even in my dreams.

The Words, “Know Thyself” were first found inscribed on the walls of the Delphi Temple in the ancient city of Athens, Greece. It took almost 20 years to know myself. It is sad many of us only see our reflections through the eyes of others. When our affair was over, I had changed. Maybe, I saw my potential for the first time. I stopped looking for happiness in the arms of others. I wanted no one now, not him, not anyone else. I remain punished not for my sins by my sins. While I was fiddling with this post, a young, brilliant and handsome boy/man, walked into a theater and open fired on kids and adults for no apparent reason at all other than he was obsessed with the Batman trilogy. The justice system wasted no time in bringing him to trial. He sat next to his public defender unemotional, with eyes large and frightening. He wore the look of a lost clown with his multi-colored bed-head hairdo. All that education and potential went to waste. He spent so many years learning about others, he never took the time to know himself.

Americans are stereo-typed as go-getters, anxious to out-do and out-have all others. We must know ourselves before we can love and respect life maturely and be satisfied with life’s gifts. We’ve got to stop living our lives blinded to the gifts of others. We’ve got to start being kind and observing the needs of others.

Over the years that followed, I finally grew into the person I was always meant to be. I wrote poetry and articles for wellness, mine and yours. Thank God for the internet, self-publishing and my inner child who needed to know she was worthy. She had talents. She was not unlovable. She could love herself with a mate or without a mate. We shape our present and our future by the choices we make not only for ourselves but by the choices we make for others. I chose to reach for that golden ring of love once more and we’ve been together 22 years. Not married. We just fit together. Rachel Madorsky, in her book, Symphony of Karma, says “The human Soul can be kept pure only if it’s given the freedom of choice. Free will and freedom of choice are the greatest gifts of the Creator to humankind! Each of us has the ability to create our own Karma.” I feel like I’ve finally outgrown my old bad-tempered karma and now I am free to write about love, marriage and sex. Ursula K. LeGuin says, “It is good to have an end to journey towards; but it is the journey that matters in the end.”

Below are a few of journeys in poetry. Enjoy.
My Poem, Tears are like Polliwogs, It is nice to think of tears like polliwogs swimming around in a mortal’s eyes, evolving into well-adjusted higher forms, with better motor control and hand-eye co-ordination, ascending rather than descending, bending rather than breaking, reaffirming rather than hurting, and smiling rather than frowning, It’s nice to think of sorrow as water, and all those tears escaping where swelling pain had been, It’s nice to think our sorrow will soon evaporate just like our tears, turning our attention to helping others evolve.

Uplifted by Angels…I pray to be a celestial artisan, that my soul sprinkled with passionate thoughts of God’s love, when I’m tired, let their angelic wings fan me with healing energetic breezes, light my eyes with the lamps from God so I can see what is right or wrong, bless me with “celestial” knowing, wit, wryness, color and an angelic sense of timing, and let my optimism fall like seeds to the moist warm ground and take root in the footsteps of others, especially the most I love.

My Waiting on Love Poem, Here I am like every other flower in the garden drinking in the pearled dew, and hour after hour a female willow trembles knowingly at our pain, a swan sings close by, both of us living by breath alone, Sometimes I moan a little in self-pity, ”Where is my God, why has he forsaken me?” I shake my fist towards the sky, the weeping willows cry for me, we’re all feeling disowned, We’re weak and weary standing here at attention, dreaming dreams no mortals dare to dream, the silence unbroken in my pearl-less pelvis while the weeping willow packs her trunk for our trip to Nevermore…”

Pimping out Love in Poetry Poem…Some love affairs go on too long in our heads, the truth is we poets can easily become our own sad poems, half falling over ourselves day and night, wearing mufflers, blinders and Mona Lisa smiles, our blowfish egos becoming nightly bridge walkers, roof servants, or chimney sweeps, So Indefinable, undeniable, breathing in the soot of our heart’s desires and all the rest of the idiocy we poets fall heir to when conjugating our hearts and pimping our love into poetry.

My Women Poem, A kick here and there for my mom, my daughters and me, rivalry inscribed from birth to grave, our mouths disengaging our brains, Sweet kisses turning into salty tears, do as I say not as I do! Silent wars, screaming hostility, with pods revolting and roots diving deep for refuge, Galileo painting our minds with jealousy and conflicting opinions, from one generation to another, Caffeine, Nicotine and Prozac swallowing our kingliest bliss, our happiness depending on our estranged loyalty to one another, women are flags of far too many dimensions to unfurl on paper.

September 1, 2012
Exposing The Grand Illusion (2)

Part 2: The Evil, Arrogant Publishers

In my seed article writing as Chief Editor of IFWG Publishing, I hypothesized The Grand Illusion, a state where many self publishers created a bubble around themselves, constructed of beliefs and views that were not necessarily based on fact. In Part 1, under my name, I discussed eBooks, and how, among many in The Grand Illusion, there is a belief that there is a connection between the new technologies and being a self publisher - when there isn’t, and that there is some disconnect between new technologies and traditional publishing.

While traditional publishers (actually, the top end publishers) are fighting over business and legal issues, like any big business, you adapt and work with what works - eBooks still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hard cover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s). In my discussion in Part 1, I also introduced the idea that the ‘in’ and ‘out’ group behavior, eloquently described by George Orwell, is well and truly alive and well among many self publishers.

In and Out Groups. This is the core dynamic for this article. One of the most powerful factors that sustains the idea that ‘I am a member of a group, identified by common interests, and those who are not part of my group are somewhat, if not fundamentally, inferior, or in some other way, opposed to me.’ George Orwell described this well (citations in Part 1) and references Nationalism and Football Hooliganism as extreme examples of how the dynamics work. This does not mean that every person in a particular group has this attitude, and of those who do, it does not mean that all participants are extreme, but by succumbing to this dynamic, an awful distortion in perception occurs. To some degree or another. A typical symptom is to abandon research and to believe what anyone says who is identified as being a member of the group.

Now we come to the subject at hand. Many self publishers have not personally met, or have had only fleeting exposure, to traditional publishing companies and their personnel. When they have, it is usually at the periphery, where portals are deliberately set up. Namely, a professional reader sending a rejection notice to an aspiring writer. Sometimes an editor will take on this task. This, in itself, is not a positive way to view a publisher, and for some, it can be upsetting, and for others, who have had rejections plied on them for literally years, it can be much worse.

When someone is faced with a tsunami of rejections, they can choose to approach it in one of three ways:

  1. carry on and strive to gain acceptance; 
  2. give up; and
  3. become bitter and twisted (and possibly make up a whole lot of stuff about the publishing industry based on invention and hearsay).

I do not suggest, by the way, that self publishers are represented by category 3, but I do propose that there are enough people in the self publishing super group who are in this category, that they represent a solid glue-like foundation of The Grand Illusion. It is these people who will paint traditional publishers in amazingly broad brushes, as evil, mercenary, unscrupulous, ignorant, conspiratorial, behind the times, etc. I don’t know how many people work in traditional publishing, but surely it must be in the tens of thousands - and is it appropriate to make generalizations about all these folk?

Additionally, a side effect of The Grand Illusion is to fail to separate broad strata within the traditional publishing field: for instance, editors, artists, and other trained, often highly qualified and experienced folk, versus management in the large companies; and distinguishing between small, middling and large companies. I am a Chief Editor of a small company - we publish a little over a dozen titles per year, and we have close relationships with the majority of our authors. We help them, and they, within their capabilities, help us. We represent the lower rungs of the publishing and writing ladder. And we enjoy the work, and get giddy when our authors get published and praised. I have other small and middling publishers in my circle of friends and acquaintances, along with editors, and the vast majority have the same views as our company.

They want to make a living from their business, and they want to help their authors. More often than not, if there is a conflict between those two urges, the authors are given the benefit. I know some authors and editors in the larger publishing houses, and guess what? Within their fields, the technical and editorial staff are professional, qualified and work in the best interest of the author as well as their company, and 99% of the time they can achieve this, with hard work. Remember, of course, that working for a large company has the usual pain and misery associated with working for any large company, but that does not mean that the editors, proofreaders, format designers, cover designers, artists, slush readers, etc etc, are automatically aligned with the more unsavory aspects of business management ethos etc.

The nice thing about running a small concern is that we don’t have to be bullied or take part in the machinations of big business at all. Instead we work to the best of our capacities and often stay monetarily poor but creatively rich. And we dream. What gets me, is that in The Grand Illusion, not only do the irrational assume that the the editors and artists etc of the large companies are all those ugly, awful things I listed earlier, but the smaller players are no better.

Of course, if the irrational do distinguish the small/middling publishers from the large, they will question the credentials of the for-mentioned. My answer is really simple: there are small publishing houses that shouldn’t run, and are managed by amateurs. They exist. Many industries are plagued by the unscrupulous. What is reassuring is that their track records, with a little bit of research, will see them out for what they are. I strongly advise any writer who wants to approach a publisher to do that leg work first. Middling publishing concerns are more likely to be legit, because the unscrupulous will, on the average, find it hard to earn a buck. The majority of traditional publishers, small, medium and large, are legitimate concerns and it is up to the author to choose where they want to enter the business. While I believe I can safely say it is easier to get published by a smaller concern, it should be noted that many small publishers offset their costs by producing less, which in turn makes it hard to get accepted. Some great small publishers, like Ticonderoga Publishing, only produce 3 or so titles a year. And good on them, because they win awards.

In the every day interaction between an author and a traditional publisher there is nothing but straight out professionalism. A myth that is common among The Grand Illusionists is that editors are out to take over creative control. Bull shit. To start with, most publishing houses are only interested in work that has already progressed in maturity that getting the work to reader-ready is a matter of polishing, not overhaul. Most editors look on work with an author as a partnership, where the majority of changes are a mutual effort at improving the work. I personally edited over 2 million published words and even the best authors need guidance - not because they are bad authors, but because novels are large works and it is amazingly difficult to sustain the same degree of quality over 80, 90, or 200 thousand words. Additionally, both the author and the editor gets too close to the work, and cannot see the trees for the forest - proofreaders who have not been exposed to the work at any stage, are best suited to help in that arena. I repeat, however, that we are talking polish here, not overhaul.

Self publishers will often take exception to those who criticize them for not having the capability to polish a work to production quality. They will often react, in an ‘us and them’ mode, by stating that most or all traditional publishers are not qualified either. This is an unadulterated myth. Most publishing staff who get paid to do their work, and keep their company afloat with quality material, are good at what they do. Most self publishers aren’t. It’s that simple. There are exceptions in both cases.

I have friends who are publishers and editors and they have families, are kind, reasonable people, and have as many failings as anyone else. Meeting them face to face, confirms their humanity, their professionalism, and tears down the illusion that they are arrogant, untalented, and care nothing for authors. It’s a bit like getting any folk who are divided by race, nationality, language, religion, politics, sporting teams - and getting them together to talk - in no time, there is an epiphany - and it can in fact, burst the bubble called The Grand Illusion.

September 1, 2012
Green Lake (Episode 1.1)

Authors Note:
From the creators of Suspense Magazine, comes an exciting new original story called “Green Lake”. This is an ongoing series that will be given to the reader in what we call scenes.

We wanted to create something more than just a serial novel, so this will read more like a TV series, in which the reader will be thrust into the town of Green Lake, California. When the reader finishes each scene, they will have to wait until we release the next, and so on.

I’ve made up a FAQ section, so the reader will be able to understand what is happening.

What exactly is “Green Lake”?

Green Lake is a fictional town in North Central California. Over 200 years ago, before the start of the gold rush, Green Lake was founded. The Salem Witch trials received all the press back then and today, however Green Lake was the first city in the United States to burn a witch at the stake. Before she died, she placed a curse on the town and every one in it, proclaiming to have her revenge in 200 years and that time is now.

How long is the series?

Like any TV series, there is no end until there is an end. Green Lake has a past that can’t be written or told in an exact time frame. The journey for the reader is that they will be a part of a town that is literally struggling to stay “alive”.

How many main characters are there?

There is one main character, Michael Barrett that has returned to Green Lake because of a tragedy. This is the beginning of what is about to come and Michael is searching for the truth behind the tragedy. What he finds is much more dangerous.

We welcome you to “Green Lake” and hope you live long enough to stay awhile. However, we can’t guarantee anything and you are taking a chance by reading any further. Don’t say we didn’t warn you. Enjoy. 

***

Episode 1: Scene 1
The Phone Call

The Victorian farmhouse had been a beacon of stability in the small town of Green Lake, California for generations. It had seen the boom of the “Gay Twenties,” the barren years of “The Great Depression,” “The Second World War,” “The RED Scare,” and the cruelty of “The Eighties.” Like the Rock of Gibraltar, all within the town knew, as long as the Barrett House stood, Green Lake would survive.

That’s what they used to think …

Green Lake, California was about to change.

Sitting in their simple white walled kitchen, Mary and Joe Barrett started their day as they had for over forty-eight years of marriage—talking over a cup of coffee. It was close to harvest time, and Mary valued this little time she would have with her husband. Both were near their seventies, and set in their ways. Like most couples, they had their “shaky” moments.

The talk this morning was not starting out as a good one.

“Joe, please, let’s just leave this place,” Mary’s hands shook with fear. She tried to hide it by wiping her hands off with a tea towel, but the act was clumsy at best. “We’ve done what we can here, Pa. We can sell the rest of the farm to that wine company and just retire. Hell, you’ve always complained about the winter since I’ve known you!”

Joe drank his coffee, silent.

“We don’t need to be here anymore!”

Joe was a tough looking man. In his youth, many a female tried their best to both capture his eye and heart. He looked, strangely, like John Wayne. He knew this, and at first, hated the comparison. He, after all, was better looking than “The Duke.” His temper was legendary, and so was his conservative ways. If he could, he would rub two nickels together, hoping to create a dime. Salt of the earth, he was!

“Nope,” Joe shook his head in disagreement.

“Dear Christ in a cardigan sweater!” Mary pleaded, returning to her sink. She started to run water to wash their morning dishes with. The woman was terrified.

“Mary, you know we can’t leave now. That will never happen. Too many people rely upon our good name, and, besides … she will never allow it.”

“You say ‘never’ way too much these days.”

“Of course I do!” Joe dryly laughed, “It’s all part of the curse. You understand.”

“Enough about this stupid curse! Why do you continue to believe in this tripe?” Mary smashed a coffee cup in the old cast iron sink, causing splinters of china to spray everywhere. Regretfully, the woman bent down, picking up the fragments of her hurried actions. “Joe, it has been over two hundred years and that urban legend is killing this town.”

Joe put his hand up, stopping his wife in mid sentence.

“Woman, you know better than to talk like that. They can hear everything.”

The old woman paused, realizing the consequences of her actions. She started to cry, silently, dropping the broken glass once more. She put her hands to her face.

Joe felt lower than a snake’s belly.

He got up, pushing in his breakfast chair. There were his duties to consider.

“I don’t want to upset you, but you know we can’t just leave. So, let’s drop the subject and move on, please.”

The man’s voice begged for forgiveness, although both knew the words for the act wouldn’t come. Joe was from another time and mindset. Women’s Liberation was one thing, but he was still the king of his castle.

Mary agreed.

Calmly, the woman poured herself her first cup of coffee. This was usually her “bright” part of the morning. She lived for a good cup of “Joe.”

Her eyes turned dark and focused.

Her man’s ego be damned!

“Joe Barrett, we are not going to stop talking about this,” she demanded. Again, a coffee cup hit the empty sink, and again, another dish was broken.

“What the hell are you talking about, woman?” Joe demanded, halfway between leaving for the morning and looking at his wife strangely. Mary never was one to rock the boat.

Strange … .

“Not until I hear a good reason why we should stay. And don’t give me that crap about the town watching us. We’re one slight push to the grave, both of us. It’s time that they learn to live on their own. We need to leave and live our lives, not stay in fear of old ghosts lying about.”

Mary left the kitchen. She had to!

When she first got married, Joe’s mother had warned her about the Barrett men’s stubbornness. That it was powerful enough to turn the Pope into a Mormon.

She ended up where she always ended up, standing in front of the huge picture window of their living room, glaring out at the world.

“Damn you, man,” she whispered under her breath.

She closed her eyes, almost immediately regretting the curse. She loved Joe and would not trade a million years of youth for one day she shared with that man. Life had been hard, but never had it not been worth the living.

Memories grabbed at her heartstrings in this room. There was the autographed movie program she had, when visiting Los Angeles in 1953. She saw a movie called “The Robe” and was lucky enough to encounter Richard Burton at the first showing. He was a young and unknown actor in America at that time, and signed her card with great humility. Later, he would turn into the arrogant, drunken, and celebrated celebrity he would be remembered for. Still, when Mary looked at her old program, he was always the timid, nervous, and anxious Englishman lost in America.

Her son’s pictures. Her legacy.

Odds and ends. A telegram an Uncle had received from a dear friend on board the fatal “Titanic.” Her Uncle always claimed that the ill-fated message was a lucky charm of his, albeit connected with such death. Pictures, faded, and forgotten. Old battle flags from Joe’s time in “The War,” and forgotten toys played with no more, by kids turned adults long-since gone.

It was a good room.

One worth living in.

Mary squinted her eyes.

“I wonder who that is?” she said, covering up the glare of the sun with her hand.

A black car—she never really was ever good at making out makes or models—drove by the house. It was going abnormally slow, as if it had wanted Mary to notice it. Peculiar.

The passenger in the car was male. That, Mary did make out. He was wearing sunglasses. A lot like those worn by Tommy Lee Jones in Men in Black. She giggled a little. She liked that show.

“What the hell do you want?”

The car didn’t stop, but kept on going down the road.

The driver’s glare at Mary never wavered.

It was eerie.

Mary put her hands over her face in fright as the kitchen phone blasted to life.

Joe answered the phone.

“Hello?” he asked.

The car seemed to stop just up the road, well within Mary’s line of vision. It parked in front of an old Oak Tree, known in the neighborhood as “The Hanging Tree.” It was huge and over two hundred years old. Been there since the beginning of time, almost. Her branches spread out long and filled the air with a fragrance only a small Towner could appreciate. In old western days, it was said, it was here where local Sheriffs and U.S. Marshals would hang Green Lake’s “most wanted.”

“What’s going on?” Mary asked, peering closer, her face almost banging into the picture window’s thick glass.

“Hello? Barrett residence,” Joe repeated.

There was a long pause.

Mary’s attention stayed with the car.

The car sat, parked in front of the old oak, just sitting there. The driver seemed not to care about the heat, or the fact that he was being watched. He just stared blankly ahead, wearing those silly dark sunglasses.

“Why now? I don’t …” Joe’s voice trembled. He paused, as if being scolded by his father. “Okay. I understand.”

Joe hung up the phone.

Mary’s curiosity stayed focused on the curious drama in front of her. She absently heard her husband approaching her. He appeared, distracted.

“Joe seems we have visitors out front.”

Joe said nothing.

From behind the old oak, there appeared a strange figure draped within a black cloak. Odd for the weather they were having. Too hot for such thick cloth.

The driver of the car still did not acknowledge that he had a visitor from the tree.

The strange figure in black pulled back, having said nothing, and disappeared.

“Where the hell did she go?” Mary asked, peering out over her entire valley.

Joe seemed to be stumbling. Mary rolled her eyes. Yet another thing for him to complain about later, at the dinner table.

A drawer was opened.

Joe took something out, closing it.

Mary still stood in front of the picture window looking on.

“Who was that on the phone, Joe?” she asked, not turning around.

Her husband walked into the living room and put his hand on Mary’s shoulder. There was tenderness in his hands that spoke volumes to her. He had been sorry for being such a grouch so early in the morning, and perhaps, the rest of the day would turn “good” after all.

“Mary …” he whispered, almost in tears.

Still looking outside she reached up and grabbed his hand putting it close to her face.

“You’re right, Mary. It is time to leave.”

Joe raised his right hand and put the gun to Mary’s head pulling the trigger. The bullet exited his wife’s head breaking the front window. Blood splattered over Joe and the front wall of the living room.

The last thing Mary saw was the driver looking back at her.

The driver smiled.

Joe remained calm. This was man’s work he was doing.

This … was necessary!

“Right behind you, Mary,” he absently stated. His face was covered with his wife’s hair, bone, and blood.

Joe then took the gun and put it to his own head, pulling the trigger.

The Barrett’s finally left Green Lake.

Out front, the car started its engine, turned around, and once more drove down the dirt road in front of the Barrett’s home.

It stopped in front of the mailbox.

A raven landed upon the mailbox, squawking.

After a couple seconds, the car sped off…

Check back next week for the next scene to be released!

September 1, 2012
Our Designer Future

I wrote this poem thinking about how our world would be if science begins designing kids in test tubes.

Then there is the ozone thing. What will humans be like if all is bad becomes true sometime in the far future?
I woke one morning to find Mother Earth, is damn mad now, her rain forest so beautiful and strategically placed are gone because men needed toothpicks and chairs to sit their lives on, looking out my window, my light-sensitive eyes detect a protective plate glass between me and the warmth of the sun, as it is fatally dangerous now with no ozone layer in between, it seems now the fields of corn, wheat and all the good things we love to eat are gone, no green grass, only clay and sandy ground cover remains.

No cows, milk, chickens nor eggs, only nutritious red and orange chemical capsules with added steroids to purge on, Not Russian nor USA, nor Chinese, everyone imprisoned yet saved.

Only unisex babies are born now, incapable of love or emotional thirst, sexual preference and degree of intellect are now a matter of scientific design, those men and women who remained true are considered genetic mutants, and can be found in a new kind of zoo.

Mankind now practices levitation, and uses much more of their brain. There is no need to talk or sing, and can be described as open vacuums of knowledge with Mona Lisa-smiles!!!

Excerpt from Sculpting the Heart’s Poetry while Conversing with the Masters.

Check out this scientific information on ozone.

September 1, 2012
Syndicate my Blog?!

You may have heard of syndication.  It is when someone is able to sell a column they write to a publisher that have newspapers in 5 states and the column goes to all of them at a flat rate of pay for the writer. 

I don’t exactly mean that.  What happened is that there are blog posts that I ghostwrote professionally but also that there are blog posts at Uranian Fiction, LinkedIn and here and set up to run as a stand alone wordpress blog Miriamspia.Wordpress.com

OK, I don’t even know exactly how it works yet. 

Because of that I have a weird attitude towards this blog site, for which I apologize right now because I want to be on good terms with you, especially if you bother to read anything I write, especially if you do so as a fan of my work. 

Also, because we are both people and sometimes apologizing to other people is a good way of acknowledging our own imperfections - especially when we aren’t the EQ Ultragenius.

Angie has helped me get a little advertising for An Adventure in Indianapolis to work. 
Please check it out.  The novel is good.

Like pretty much everyone else, I am glad we are not all identical because of what the world would really be like if everyone was.  I think it is good that there are people like me, but I kind of like deodorant and indoor heating.  I don’t know that I would come up with anything like that.

September 1, 2012
The Temptation of Vengeance


”If ye are slapped

Turn the other cheek”
Shall I then?
condone the evil
of a sword – sharp tongue?

“Vengeance is mine
I shall recompense”
shall I step aside
as they take away
my will to live?

How shall I step
across the pits
of a dark cavern
but keep understanding
of the laws
“If ye are slapped….

Son, listen to your
pain-filled heart
and know the meaning
not by weakness,
but by strength,
not by self,
but with self,
we turn the cheek
in order to understand
the story of the
beginning of the slap.

The bandage that
thinly veils your
gaze from the
length of your journey
does not shroud the
threads that hang above
the sowing of your being
His vengeance, son
you must sweep into
your soul
in understanding
that in the infinity
of His love, the
sower must reap
only that which he
sows in multiples thereof.

Take care son
that in your haste
not to condone evil
you do not lengthen
the evil of a longer
Journey,
on a fast dying earth.

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